Reading recommendations

This is a living document of resources I am compiling for anyone who wants to references the resources I’ve used to conduct my research in men’s studies, masculinities, belly dance history, and gender studies.

(last updated 11/10/2023)

  • "When Men Dance : Choreogrpahing Masculinities Across Borders" - Jennifer Fisher and Anthony Shay

    "Dance, Difference, and Racial Dualism at the Turn of the Century" - John Perpener III

    "Is Dance a Men’s Sport Too?: The Performance of Athletic-Coded Masculinity on the Concert Dance Stage" - Maura Keefe

    "The Performance of Unmarked Masculinity" - Ramsay Burt

    "Dancing Race and Masculinity Across Midcentury Screens: The Nicholas Brothers, Gene Kelly, and Elvis Presley on American Film and TV" - Pamela Grenelle Krayenbuhl (dissertation)

    "Dance and Gender" - Wendy Oliver and Doug Risner

    "Rehearsing masculinity: challenging the 'boy code' in dance education" - Doug Risner

    "Male Dancer Privilege" - Andre Rivera

  • "Dancing Fear and Desire: Race, Sexuality and Imperial Politics in Middle Eastern Dance" Stavros Stavrou Karayanni

    "A Trade Like Any Other: Female Singers and Dancers in Egypt" - Karin van Nieuwkerk

    "Belly Dance and Glocalisation: Constructing Gender in Egypt and on the Global Stage" - Caitlin McDonald (dissertation)

    "Between Orientalism and Westernization: Belly Dance as a Transnational American Studies Case" - Perin Gurel (specifically focuses on Turkish belly dance)

    "The Creative Development of Mahmoud Reda, A Contemporary Egyptian Choreographer" - Farida Fahmy

    "Dance as Living Cultural Heritage: A Transcultural Ethnochoreological Analysis of Egyptian Raqs Sharqi" - Valeria Lo Iacono (dissertation)

    "Dancing Boys" - Anthony Shay

    "Choreographing Masculinity: Hypermasculine Dance Styles as Invented Tradition in Egypt, Iran and Uzbekistan" - Anthony Shay

    "The Male Dancer in the Middle East and Central Asia" - Anthony Shay

    "Egyptian Belly Dance in Transition: The Raqs Sharqi Revolution, 1890-1930" - Heather D. Ward

    "Before They Were Belly Dancers: European Accounts of Female Entertainers in Egypt, 1760-1870" - Kathleen W. Fraser

    "The Homoerotics of Orientalism" - Joseph Boone

    "Serena, Ruth St. Denis, and The Evolution of Belly Dance in America (1876–1976)" - Paul Eugene Monty

    "A Pictorial History of Turkish Dancing" - Metin And

    "Gender Irregularity" - Everett K. Rowson

    "The Effeminates of Early Medina" - Everett K. Rowson

    “Oriental Fantasy: A postcolonial discourse analysis of Western belly dancers’ imaginations of Egypt and dance festivals in Egypt” - Mavis Hooi (thesis)

    The Salimpour Compendium - Abigail Keyes

  • "Manhood is Not Easy: Egyptian Masculinities through the Life of Musician Sayyid Henkish" - Karin van Nieuwkerk

    "The Homoerotics of Orientalism" - Joseph Boone

    "Before Homosexuality in the Arab-Islamic World, 1500-1800" - Khaled El-Rouayheb

    "Hegemonic Masculinity: Rethinking The Concept" - R. W. Connell and James W. Messerschmidt

    "Masculinities and Culture" - John Beynon

    "Inclusive Masculinity Theory" - Eric Anderson and Mark McCormack

  • “Orientalism” - Edward Said

    "Cultivating Genius: An Equity Framework for Culturally and Historically Responsive Literacy" - Gholdy Muhammad

    "How to Be an Antiracist" - Ibram X Kendi

    "So You Want to Talk about Race" - Ijeoma Oluo

    "White Supremacy Culture" - Tema Okun

    "White Fragility" - Robin DiAngelo

    (note: While DiAngelo’s book is a useful resource in recognizing one’s own privilege, she is criticized for profiting off black trauma and experience while living as a white, for-profit anti-racism educator. In this article, “For Whyte Folx Who Profit Off of Dead Black Bodies & Call it Anti-Racism”, The Ebenezer Project offers a great critical view of DiAngelo’s book and the industry of for-profit anti-racism education.)

    "Transnational Fusion Dance… An Open Letter to My Dance Community" - Donna Mejia

    "Intersectionality: An Intellectual History" - Ange-Marie Hancock

    “Colonize This! Young Women of Color Feminism” - ed. Daisy Hernández and Bushra Rehman

  • "Dance Pedagogy for a Diverse World: Culturally Relevant Teaching in Theory, Research and Practice" - Nyama McCarthy-Brown

    "Decolonize Dance Curriculum in Higher Education: One Credit at a Time" - Nyama McCarthy-Brown

    "Decolonization is not a metaphor" - Tuck & Yang

    "Teaching Toward a Decolonizing Pedagogy: Critical Reflections Inside and Outside the Classroom" - Victoria F. Trinder

    "Pedagogy of the Oppressed" - Paulo Freire

    "Decolonizing Dance Teacher Education: Reflections of Four Teachers of Indigenous Dances in African Postcolonial Environments" - Mabingo et al.

    "Why Dancers Should Care about Colonialism — because it’s “The Gift that Keeps on Giving"" - Julianna Cressman

    "Teaching Community" - bell hooks

    "Teaching Transformation: Transcultural Classroom Dialogues" - AnaLouise Keating

    "A People's History" - Howard Zinn